Susan Sontag on Photography Essay Example | Topics and Well Written Essays - 3500 words

Susan Sontag on Photography - Essay ExampleIn all of her works, Sontag believed that the proliferation of photographic images had developed a worldwide recognition that photographs ought to be exact representations of globe. Thus, the essence of photography is pure reflection of reality. As such, both photographer must know, both technically and artistically, the proper way of capturing images in order to deliver a pure message about a phenomenon. In this paper, we intend to examine further some of Sontags critical teachings about photography by emphasizing on its purpose, the ideal relation between the photographer and his subject, and the key issues surrounding the practice of photography. After this, we deepen our understanding on the essence of photography by looking at one essential issue, that is, the problem of photo manipulation in modern photojournalism. In this part, we first study the trends in photographic manipulation to understand how the practices have been caused, e ither directly or indirectly, by technological and commercial innovations. After this, we discuss why and how photo manipulation is done. Such topics ar to be discussed in relation to specific cases of photo manipulation in the mass media like newspapers and magazines. ... A. Copernican Ideas Susan Sontags On Photography Susan Sontag condemned photography by asserting that it only delivers images that are nothing to a greater extent than shadows of reality. As she metaphorically strengthened this thesis, humans who view photographs are like trapped men in a cave who only see the shadows of the outside world. What they deem as real are rattling distorted reflections of reality. To arrive at a more meaningful discussion of On Photography, let us first delve into her definition of photography. To Sontag, to photograph is to appropriate to the thing being photographed. It is an act of non-intervention. Thus, there should be distance between the photographer and his subject. However, she believed that since photographs do not provide contextual stories about the world, they become miniatures of reality. The world, therefore, becomes a series of unrelated particles or phenomena, with no interconnectedness or continuity. But the capacity to imitate reality is not the only definitive characteristic of photography, for in the artistic activity of the photographer he is equal to elevate his creations as pretentious works of art. As narrated by Bridget Brimer in her online article entitled literary Interpretation and Analysis of Susan Sontags Book, On Photography, Chapter 1 In Platos Cave, through the use of various skills in photography, the photographer is able to convert a phenomenon into an image that provides a transient experience to its intended audience. Thus, Sontag proverb the act of photographing as symbolic shooting, or even raping. Sontag reckoned that photographing is like raping since the photographer sees his subject in a manner that is unavailable t o himself (subjects). He gains knowledge about